The Arrest of Christ, c.1628/30 by Sir Anthony van Dyck
Canvas Print - 7009-DAV
Location: Prado Museum, Madrid, SpainOriginal Size: 344 x 249 cm
Giclée Canvas Print | $54.95 USD
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*Max printing size: 33.9 x 24.6 in
*Max framing size: Long side up to 28"
"The Arrest of Christ" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Arrest of Christ" by Anthony van Dyck, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
van Dyck's "The Arrest of Christ". What a wild, churning scene the young painter's given us! It's like he's thrown a bunch of angry wasps into a dark jar and shaken it up.
The canvas throbs with movement - bodies twisting, arms flailing. Christ stands calm at the center, a rock in a storm. His face glows with an eerie light, while everything else is shrouded in inky shadows. Clever trick, that.
Van Dyck's gone nuts with the chiaroscuro. Torchlight slashes across faces and bare flesh, turning everything into a dramatic play of light and dark. The colors are rich but muted - lots of earthy browns and deep reds, with flashes of steel and gold.
The composition's a bit of a mess, but I reckon that's the point. It's all chaos and confusion, with bodies piled on bodies. Christ is the still point everything whirls around. His calm stance and upraised hand draw the eye right to him.
You can see Rubens' influence all over this - the muscular bodies, the dramatic lighting. But van Dyck's put his own spin on it. There's a raw energy here, a sense of barely contained violence that feels distinctly his own.
The brush work's loose and energetic - you can almost feel van Dyck's excitement as he painted. He's captured that frenzied night-time atmosphere brilliantly. You can practically hear the shouts and clanking of weapons.
Not bad for a 20-year-old, eh? This painting's like a calling card - "Look what I can do!" It's not subtle, but by God it's effective. Van Dyck was showing off here, and who can blame him? When you've got talent like that, why not flaunt it?
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