The Virgin and Child with Canon Joris Van der Paele, 1436 by Jan van Eyck
Canvas Print - 7845-EJV
Location: Groeninge Museum, Bruges, BelgiumOriginal Size: 122.1 x 157.8 cm
Giclée Canvas Print | $56.63 USD
By using the red up or down arrows, you have the option to proportionally increase or decrease the printed area in inches as per your preference.
*Max printing size: 41.1 x 53.5 in
*Max framing size: Long side up to 28"
"The Virgin and Child with Canon Joris Van der Paele" will be custom-printed for your order using the latest giclée printing technology. This technique ensures that the Canvas Print captures an exceptional level of detail, showcasing vibrant and vivid colors with remarkable clarity.
Our use of the finest quality, fine-textured canvas lends art reproductions a painting-like appearance. Combined with a satin-gloss coating, it delivers exceptional print outcomes, showcasing vivid colors, intricate details, deep blacks, and impeccable contrasts. The canvas structure is also highly compatible with canvas stretching frames, further enhancing its versatility.
To ensure proper stretching of the artwork on the stretcher-bar, we add additional blank borders around the printed area on all sides.
Our printing process utilizes cutting-edge technology and employs the Giclée printmaking method, ensuring exceptional quality. The colors undergo independent verification, guaranteeing a lifespan of over 100 years.
Please note that there are postal restrictions limiting the size of framed prints to a maximum of 28 inches along the longest side of the painting. If you desire a larger art print, we recommend utilizing the services of your local framing studio.
*It is important to mention that the framing option is unavailable for certain paintings, such as those with oval or round shapes.
If you select a frameless art print of "The Virgin and Child with Canon Joris Van der Paele" by Jan van Eyck, it will be prepared for shipment within 48 hours. However, if you prefer a framed artwork, the printing and framing process will typically require approximately 7-8 days before it is ready to be shipped.
We provide complimentary delivery for up to two unframed (rolled-up) art prints in a single order. Our standard delivery is free and typically takes 10-14 working days to arrive.
For faster shipping, we also offer express DHL shipping, which usually takes 2-4 working days. The cost of express shipping is determined by the weight and volume of the shipment, as well as the delivery destination.
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All unframed art prints are delivered rolled up in secure postal tubes, ensuring their protection during transportation. Framed art prints, on the other hand, are shipped in cardboard packaging with additional corner protectors for added safety.
Painting Information
The radical naturalism of Jan van Eyck's masterful panel speaks volumes about the changing relationship between art and devotion in 15th-century Flanders. What strikes one immediately is the sheer audacity of placing a portly canon in the presence of the divine, rendered with such unflinching veracity that we can almost hear his laboured breathing in the hushed ecclesiastical space.
The painting's technical brilliance serves its deeper purpose magnificently. Van Eyck deploys his revolutionary oil technique not merely to dazzle – though dazzle it does – but to create a tangible reality where sacred and secular coexist. Observe how the light catches the intricate embroidery of St. Donatian's cope, each golden thread precisely articulated, while simultaneously illuminating the worn features of Canon van der Paele with almost forensic clarity. This democratic attention to detail transforms mere representation into profound meditation.
The spatial arrangement reveals van Eyck's sophisticated understanding of pictorial architecture. The Virgin and Child occupy the central throne, their position emphasized by the rhythmic progression of rounded arches that create a space both mathematically precise and spiritually charged. The flanking saints – Donatian in his sumptuous blue vestments and George in his mirror-bright armor – anchor the composition while directing our gaze inward toward this holy conversation.
What's particularly fascinating is van Eyck's handling of color relationships. The Virgin's expansive red robe, falling in complex folds across the Oriental carpet, creates a chromatic focal point that reverberates throughout the composition. The interplay between this dominant red and the deep blue of St. Donatian's cope establishes a careful balance of warm and cool tones, while the metallic reflections in St. George's armor introduce subtle variations that animate the entire surface.
Most remarkable is how van Eyck transforms this commissioned work, ostensibly a plea for divine intercession, into a profound statement about the nature of seeing itself. By signing the frame – an innovative gesture for its time – he asserts not just his artistic identity but the very act of painting as a form of knowledge. The intense scrutiny he brings to every surface, from weathered skin to polished metal, suggests that careful observation itself might be a form of prayer, a way of understanding the divine through its earthly manifestations.
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